Thursday, 12 April 2012

Daniel Craig as Bond to open 2012 Olympics.

In celebration of the forthcoming London Olympic Games this summer, it has been reported that James Bond actor Daniel Craig and cult director Danny Boyle have collaborated to make mini-movie The Arrival. The short film will be played to an estimated audience of over one billion people (that’s 15% of the world population) on the night of the opening ceremony on 27th July 2012.

According to reports, the film shows Craig as Bond travelling to Buckingham Palace, where he’s informed that his latest mission is to open the 2012 Olympic Games Ceremony. After he has been briefed, he is transported to the Olympic stadium in Stratford, East London, where he reportedly parachutes into the arena.

It is not yet confirmed whether Craig will actually appear for real at the games but it serves as an excellent advertisement for the forthcoming Bond motion picture Skyfall, directed by Sam Mendes and set for release in November this year. The latest Bond film stars usual cast members Daniel Craig and Judi Dench, as well as Javier Bardem, Ralph Fiennes and Helen McCrory.



By Jennifer Tate
Twitter: @JennieTate

Gemma Arterton to join The Wright Girls

Gemma Arterton has reportedly signed on to play one of the leading roles in Relativity’s dark comedy-thriller, The Wright Girls.

The film - which will be a loose remake on the Japanese motion picture 2LDK – will centre on two young actresses who live together and are co-stars on a successful TV show. To their fans and press, they are best of friends but in reality, they share a mutual disliking for one another and the tension reaches a boiling point when the two go to drastic lengths in competing for a coveted film role.

Bert Royal (writer of Easy A) is onboard to write the script, whilst Andy Fickman (director of She’s The Man and The Game Plan) is set to direct.

The role of the other female lead is yet to be confirmed, however Megan Fox was thrown in the rumour mill a few months ago.

Gemma Arterton was most recently seen in Tamara Drewe in 2010 and can be next seen in Hansel and Gretel: Witch Hunters opposite Jeremy Renner - set for release next January.

By Jennifer Tate
Twitter @JennieTate

Wednesday, 11 April 2012

Mirror Mirror Review

7/10
Pros: A guilt-free cinematic escape with impressive costumes.
Cons: The occasional bad gag, but it’s all in the name of fun.



Kicking off 2012’s fairy-tale trend is Tarsem Singh’s Mirror Mirror; the first-to-be-released of the two films based on the classic Snow White and the Seven Dwarfs tale set for release this year.

Compared to the darker and more grown-up Snow White and the Huntsmen – due out in June and starring Kristen Stewart and Charlize Theron - this portrayal of the fair beauty that befriends seven dwarfs to escape her evil stepmother is the frothy and childlike take; colourful and easy-to-watch.

It stars 23-year-old Lily Collins, daughter of Genesis’s Phil, who is perfect as Snow White – the princess and prisoner to her evil Queen stepmother played brilliantly by Julia Roberts. Since the death of White’s father, the evil, lavish and power-mad Queen has turned the Kingdom’s once happy town into a poverty-stricken neighbourhood robbed of their hard earnings to pay for the Queen’s extravagant taste in parties and fine catering.

For the Queen however, there are troubles in paradise, as her vulgar spending becomes the cause for her spiralling financial debt. When Armie Hammer arrives in town as the fabulously wealthy Prince Alcott, she gets an idea: through the help of her enchanted mirror and malicious spellbinding, she will convince Prince Alcott to marry her and her financial problems will be a thing of the past.

However, Prince Alcott only has eyes for Snow White, who in this telling – far from needing a prince to save her from her begrudged and evil stepmother (although this does come in handy) - is feisty, independent and makes it her own mission to save the deprived townspeople exploited by her stepmother.

Upon White’s escape from the kingdom, she comes across the seven dwarfs in the snow-covered woods. However unlike other takes on the fairytale, this septet, apart from equipping Snow with useful sword techniques and defence mechanisms to save her townspeople and defeat the evil stepmother, has little to offer the film – most notably in their comic value (or lack there of).

There have been many criticisms towards this film, most notably for its straightforwardness and its occasional bad gags – all of which I deem to be unfair. Mirror Mirror is no doubt aimed at the child and tween age group, but there are sufficient doses of satisfying adult humour and sarcasm here that make this film a pleasurable and guilt-free watch. It’s not perfect, I’ll give you that, but to look at through non-judgemental eyes, it’s a bold and magical film, decorated wonderfully by the late designer Eiko Ishioka’s designs, who bows out on a high note with her fantasy-like and self-designed ornate costumes. Overall, Mirror Mirror is a healthy dose of guilt-free escapism.

Released: 2nd April 2012.

By Jennifer Tate
Twitter @JennieTate

Tuesday, 10 April 2012

Angèle et Tony Review

3/10
Pros: A touching ending that almost wins us over.
Cons: But by then, we’re almost past caring.


Written and directed by Alix Delaporte, the French film Angèle et Tony follows Angèle, a troubled young woman (Clotilde Hesme) who returns to Normandy to face her troubled past after a stint in jail for the supposed murder of the father of her child.

Back in Normandy, she attempts a reunion with her estranged 9-year-old son Antoine, now content in being raised by his devoted grandparents. Struggling to win her son’s forgiveness, Angèle’s life is now a seedy tale of sleeping with strangers for ‘Shanghai Action Men’ for her son and shoplifting clothing from local stores. Her wobbly attempts at riding the bikes that she steals becomes a metaphor for her rocky return back to her stable surroundings.

In comes Tony (Grègory Gadebois), the plump fisherman and fellow title character, who Angèle meets through a personal column and who she quickly moves in with to escape her parole hostel. Angèle is quickly accepted into the fishing community and begins working alongside Tony’s mother to sell what he catches from a quayside stall, whilst she slowly attempts to rebuild a relationship with her young son who wants nothing to do with her.

The story kicks off with an extremely slow and dull start and the two title characters seem mismatched and chemistry lacking. The ending is well directed and produced but by then, we are so confused as to why we should care about Angèle and her life that the scene doesn’t mean as much as it should. There’s a particular scene in the movie where Angèle head butts a wall to convince the shop assistant who caught her stealing that she’s not worth the hassle of dealing with. Unfortunately, she almost convinces us.

Released: 4th May 2012

By Jennifer Tate
Twitter @JennieTate

Tuesday, 27 March 2012

Boy Review

10/10
Pros: An emotional, but uplifting film that’s well made and well directed.
Cons: If only it could have lasted longer…



Boy is a short-film funded by the British Airways Great Briton’s programme ahead of this year’s London 2012 Olympic games. It follows the tragic tale of carpenter (played by Timothy Spall) and his dealing with the exceptional grief of the loss of his son, whose talent for cycling showed promise and hope for the forthcoming games.

Spall’s job is maintaining the Velodrome track at London’s Olympic Park, which understandably provides many sad memories for the heartbroken father, as he struggles to come to terms with his son’s death.

Although an unusual storyline and tone for a short film set to celebrate the Olympics and its build-up, Boy is heartfelt, showcasing the dedication, devotion and spirit that go into the international and colossal ceremony. Spall as the grief-stricken father is excellent, convincingly playing a role involving heartache, triumph and closure.

Written by up and coming screenwriter Prasanna Puwanarajah - whose screenplay was selected by a panel of judges which included Richard E. Grant –, the nine-minute, word-free film is set to captivate internationally with its tear-inducing and heartfelt qualities as it’s screened on all British Airways long-haul flights until September.

A sad note to welcome the Olympics on, yes, but Boy is a beautiful tale, demonstrating the impact of sincere and dedicated acting, proving that words are often unnecessary accessories in dramatic filmmaking. Just remember to pack a tissue in your hand luggage.

Directed by: Justin Chadwick
Produced by: Barnaby Spurrier


With huge thanks to all at Cake Group for providing images and videos.

By Jennifer Tate
Twitter: @JennieTate

Monday, 26 March 2012

Titanic 3D Review

7/10
Pros: A boat trip down memory lane. But with turbo engines.
Cons: If it didn’t float your boat (sorry) first time around, there’s nothing new here for you.


Colossal. Herculean. Gargantuan. If you look up titanic in a thesaurus, you’ll discover larger-than-life adjectives. And that’s just what Titanic is: a monumental beast of a film. Could there be a better candidate for the 3D treatment?

But Cameron’s tackling a conversion job (because the film was shot in 2D). And we’ve seen it all before. The boat sinks. No danger of spoilers, then. So, the question is, could the $18 million dollar budget have been better spent on pioneering new scripts?

Probably. But this is the grande dame of cinema, and there’s a case for justifying her encore. The hailstones of ice and cascading water flourish with the effects. But the most heartfelt difference 3D makes is to the overall depth and scale.

The story does the same heart-wrenching job as before. Watching legendary scenes, like Leo sketching Kate in the nude, are reminiscently titillating. Rose tosses Jack a coin, and says that as a paying customer she expects to get what she wants. As paying customers ourselves, we too are expecting. And what we want is served up plentifully.

This re-release isn’t a lifejacket for the 3D industry, but a reminder that our relationship with cinema is founded on emotion, and not effects.

The older Rose is looking back nostalgically. And, as viewers of this 1997 stalwart, so are we. The audiences will come flooding back with as much gusto as the spanking new 3D torrents of water. In our world, Cal Hockley was right, ‘God himself could not sink this ship’.

Released: 6th April 2012

By Natasha Lunn
Twitter @natashalunn

Thursday, 22 March 2012

Boy: A preview at Soho Hotel



This morning, at London’s Soho Hotel, actor and director Richard E. Grant unveiled the highly anticipated Boy, a nine-minute short written by up and coming British screenwriter Prasanna Puwanarajah.

London-born Prasanna was selected by hundreds of entries to be mentored by Grant on the production of this film, as part of the Great Briton’s programme, and the result is phenomenal with every vital second tugging at the heartstrings.

The Olympic-inspired story is a heartbreaking tale following a carpenter (played by Timothy Spall), who maintains the Velodrome track at London’s Olympic Park and who’s dealing with the loss of his son, a professional-cyclist, who had many Olympic hopes.

The film is set to be seen by as many as six million customers over the next coming months as it will be shown on all long-haul British Airways flights from April until September.

Although an unusual storyline and tone for a short film set to celebrate the Olympics and its build-up, Boy is heartfelt, showcasing the dedication, devotion and spirit that go into the international and colossal ceremony. Spall as the grief-stricken father is excellent, convincingly playing a role involving heartache, triumph and closure.

Grant, Spall and Puwanarajah as well as director Justin Chadwick attended the screening this morning and as the lights came up, there wasn’t a dry eye in sight: Timothy’s wife Shane Spall advocated to the British Airways representative that they ought to hand out complimentary tissues on their flights due to the film’s tear-inducing qualities.

“The story itself is so beautiful” Spall said, “It was the first time I’ve watched it and it’s not nice seeing your face ten-feet tall but I was bawling my eyes out.” Due to his busy schedule, Spall took some convincing to star in the film, but the crew – eager to feature the revered actor - eventually persuaded him, agreeing to work and film around his hectic schedule. At the end of the film, Spall said how grateful and glad he was that he eventually took part in the inspiring project. “It’s amazing to have this inspiring film made in the middle of an economic shit-fight”, he added.

Richard E. Grant, who was on the judging panel, talked about the selection process and his attraction to Prasanna’s script: “I knew from the moment of reading it that it was the right one. It was far and away ahead of everyone else’s. A lot of the other scripts were about grandmother’s and 16-year-olds in council estates – they were too grim, but Boy, although it dealt with heartache and loss, went through all of the judges like an electric current.”

Prasanna, 31, is relatively new to the screenwriting process. As an Oxford medicine graduate, he gave up his career to pursue his dreams in screenwriting and acting. He has appeared in many theatre productions including Shakespeare’s Twelfth Night and Hamlet and is also being currently recognised for his playright ‘Nightwatchman’, which is currently showing at the National Theatre, London. On the incredible opportunity bestowed upon him, Prasanna – who wrote approximately ten drafts for the word-free short – explained: “Richard never let me dilute the original intention. It was such an incredible and unusual experience and opportunity”.

In the run up London’s 2012 Olympic and Paralympic Games, British Airways will also be launching an exclusive pop-up venue: Flight BA2012. It will feature a three-in-one art gallery, as well as a dining lounge and cinema – which will showcase Boy – along with other works of the BA Great Britons – on selected dates. To find out more visit: www.facebook.com/britishairways.

The trailer for Boy:




By Jennifer Tate
Twitter: @JennieTate